Instead of laying the music options down Cytus is now split into 3 chapters, each chapter containing roughly 10 songs. So the makeover for the title screen is a success. It reflects the dreadful, post-apocalypse mood that the title screen represents. Like the original intro song it has a techno feel to it, as the singer’s voice is altered in a way to sound like a robot/android, but Sta goes further and makes the song a lot catchier (like he does with all his songs, to be honest. RayArk replaced the title music with something else that worked so much better: “ Loom” by Sta.
Of course, I am not going to ramble on about just the new title screen.
I would probably turn my head with the detailed rear end of that android (who is strongly implied to be female, so a bit of fan service snuck in), but the gloomy and yet beautiful scenery really compensates for that oversight. Like most of the game Cytus still maintains high graphical quality, and everything resembles well-drawn, highly detailed artwork.
Now, you have an android standing in the midst of a post-apocalyptic city (see above), with the greyish hue atop the structures implying a slightly depressing atmosphere. The title music evokes a bit of techno, but I don’t really remember it all too well. The title screen has changed for the better. The purpose of this post is to outline the new stuff going on with Cytus, and my impressions of these new additions. A year later and now the Cytus in the App Store is so much different than the Cytus I started with. Here’s the link for the review, but in sum I loved the game thanks in large part to its phenomenal soundtrack and its sublime presentation. Cytus 2.0 : Androids, tricky songs and orchestraĪ while ago I reviewed an excellent game for the iPhone/iPad called “Cytus”.
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